Kitakyushu Biennial in Berlin
北九州国際ビエンナーレ in 伯林

at ZK/U Berlin Zentrum für Kunst und Urbanistik
Siemensstrasse 27-49 - 10551 Berlin
Exhibition : 28 September - 14 October 2012
Friday to Sunday 3pm - 9pm

Installation view
artonline.jp presents
*CANDY FACTORY PROJECTS


Japanese

*Candy Factory Projects
新しい現代美術史
A new history of contemporary art
Chapter 1: 美術作品としての国家
The nation state as a work of art


Directed by Takuji Kogo
in collaboration with
Federico Baronello
Mike Bode
Young-hae Chang Heavy Industries
Charles Lim Yi Yong 
John Miller
Keiichi Miyagawa + Hisao Sotoda / Second Planet
Sean Snyder

Kitakyushu Biennial World Tour 1
KITAKYUSHU BIENNIAL in SINGAPORE 2012

@ The Private Museum Singapore 2012

移民/IMIN
Migrants, Immigrants, Emigrants,
Refugees, Exiles, Expatriates
and Others
.
KITAKYUSHU BIENNIAL 2011
KITAKYUSHU BIENNIAL 2009


KITAKYUSHU BIENNIAL 2007
CUTE or CREEPY?

求む軍用地!
U.S. MILITARY BASES IN OKINAWA! 
WE SELL WE BUY! (03:06)

words taken from a real estate advertisement in Okinawa


VITTORIA (16:19)
in collaboration with Federico Baronello
Large scale cherry tomato production backed by Romanian and Tunisian migrants in Vittoria Sicily.

SINGAPORE AS A WORK OF ART
LIFE WOULDN'T BE THE SAME WITHOUT SAFE SEA (03:20)

words taken from a Singapore Navy poster

MILITARY BASE ISLAND (04:31)

in collaboration with Sean Snyder
Transactions of military land in Okinawa are completely different from regular transactions of real estate. The market price deals only with the ratio of the land's annual rent without concerning the conditions of the land or its extent, because the purpose of the buyers is only income from the rent. And the ratio remains higher where there is uncertainty of the land ever being returned by US forces. About 10% of the main island of the Okinawa islands has been covered by U.S military bases since 1972 when the United States returning Okinawa to Japan retained conditional rights to all U.S. military installations. The Japanese government rents the property from the landowners lending it to the U.S. forces. Owning Okinawa "military ground" remains a highly lucrative investment guaranteed by the Japanese government.

BLUEBERRY LAND (12:38)

in collaboration with Mike Bode 
Scenes from Thai migrants blue berry pickers in Sweden and the sex tourism at a beach resort in Thailand.
Soundtrack "Peter in Blueberry Land"
Inspired by "Puttes äventyr i blåbärsskogen" Elsa Beskow (1901)

BEACHES (14:02)
in collaboration with Charles Lim Yi Yong
Views of artificial beaches in Singapore made of material from the huge land reclamation plan. The size of the island state has grown by 20% since its independence in 1965.

PUBLIC HOUSING
 
in collaboration with Mike Bode
1. 保見団地  HOMI DANCHI (12:26)
*Emirates tem voos diarios de Osaka para Sao Paulo.
Transporte gratuito de onibus entre Nagoya e Osaka.
Emirates has daily flights from Osaka to Sao Paulo.
Free shuttle bus between Nagoya and Osaka.
**music from the online ad in Japan for recruitment for Japanese Brazilian. 
Wanted. Accountant for our factory in Sao Paolo Brazil. Basic skills and understanding of Japanese language needed.
The Homi Public Housing Estate has a population of around 11,000 and more than 4,000 of these are Brazilian immigrants. The most of them have been working for the automobile industry at Toyota City.


PUBLIC HOUSING STOCKHOLM (03:32)

in collaboration with Mike Bode

The public housing projects in and around Stockholm, built in the 50-70´s, were constructed for an influx of workers from the countryside. Today these areas have been abandoned by the Swedes and are predominately inhabited by a conglomerate of first and second generation immigrant communities and refugees from non European countries such as Africa and the Middle East. 


PUBLIC HOUSING SINGAPORE (9:32)

An interview with Liu Thai-Ker
( A City Planner, EX C.E.O. of The Housing and Development Board, Singapore1970-80s)

More than 85% of the population of Singapore live in Public housing organized by the government.
The ownership of the flat is limited to 100 years and is referred to as the land title system.


2. いちょう団地  ICHO DANCHI  (02:30)

A public housing at outskirt of Tokyo next to Atsugi U.S Air Base. During the 80s the Japanese government set up a detention centre for refugees from the Vietnam War and following conflicts in Laos, Cambodia, Vietnam next to the U.S air base where the public housing project become the home for them. Many of refugees from these countries have Chinese backgrounds. Also since the 80s Japanese orphans in China after the WW2 have been returning to Japan and some of them moved into Icho Danchi to seek the chinese speaking community. Since then many of immigrants from different countries have been moving here and there are different communities speaking 5 to 6 each different languages.

NON_SITES (14:27)

Solo project by Takuji Kogo. A series of photo-sculptures, digital kaleidoscopes made by looped and mirrored sequence shots taken from moments of standardized every day life environments, such as views of fast food restaurants or street views with people of various races, public spaces or shopping malls.


武吉知馬購物中心 BUKITIMAH SHOPPING MALL (02:20) 
A shopping mall in Singapore filled with foreign maids agencies.


三里塚 SANRIZUKA 2011(05:28)

in collaboration with Keiichi Miyagawa
Villages at Sanrizuka were demolished by the Japanese government in order to build Narita International Airport which opened in 1978. There were long-standing protests by local farmers and student radicals during the 1960s and 70s and the site is still under dispute today. Some of the activists established themselves as farmers, living inside of the airport compound. 
Three of the farms were kept running inside of the Airport stopping the expansion plan. Today its function as the capital of Japans main international airport has been partially taken over by Haneda airport.

 



MY NAME IS MARINA (02:05)

in collaboration with John Miller
Re-mixed from a promotional video clip at a dating site.


THE FOREIGN DOMESTIC WORKERS SHALL NOT GET MARRIED IN SINGAPORE (03:42)
words taken from a regulation note of a maid agency in Singapore

 

 

SOUND INSTALLATION




*Candy Factory Projects / Desktop Music

SOUND INSTALLATION + PROJECTION

Text messages sung by synthetic voices taken from fragments of information and media such as junk mail, online ads or propaganda posters.
   
SCREENING EVENT
28 September 2012 ZK/U
   



EUR ROME
in collaboration with Federico Baronello

1 From: Hassan.Kebe Abdel Fattah Subject: Libya investment plan.
2 From: Saif Al-Islam Gaddafi Subject: Urgent Attention from Libya govt.

The area EUR was originally chosen in 1930s as the site for the 1942 World Fair with which Benito Mussolini planned to celebrate twenty years of Fascism. Today EUR is a residential and business district, headquarters of many private and public institutions such as Confindustria, the Ministry of Health, the Ministry of communications, the Ministry of the Environment, the SIAE, the ICE institute, Eni company, Banca di Roma, Poste Italiane, INAIL, INPS and many other multinational companies.

DEMILITARIZED ZONE BUS TOUR 
WITH BULGOGI LUNCH 
IF I WERE YOU I'LL GO TO THE PALACE

in collaboration with Young-hae Chang Heavy Industries 
An interview with a tourist office official for a bus tour of the North-South Korean border.



ROBOT - Medley
in collaboration with John Miller
Robot is a virtual band run by Takuji Kogo and John Miller.
Robot produces songs whose lyrics derive from personal ads found online or in newspapers. All of Robot's music is synthetic, including the vocals.
OUR SONG
Online project by Second Planet (Keiichi Miyagawa + Hisao Sotoda)
Collection of youtube clips playing the Japanese national anthem "Kimigayo" by amateur musicians.
   


About Kitakyushu Biennial and *Candy Factory Projects    

*CANDY FACTORY PROJECTS is a Japanese based platform for international collaborative art projects.

The Kitakyushu Biennial has been curated by *CANDY FACTORY PROJECTS organized by the Art Institute Kitakyushu since 2007.

The 1st Kitakyushu Biennial "CUTE or CREEPY?",
the second entitled "IMIN : Migrants, Immigrants, Emigrants, Refugees, Exiles, Expatriates and Others" October 2009.
The 3rd Kitakyushu Biennial / a sequel with the same title "IMIN" in October 2011.

For 2012-13 *CANDY FACTORY PROJECTS is taking its collaborative projects from the Kitakyushu Biennial on a World tour.
KITAKYUSHU BIENNIAL in SINGAPORE opened in April 2012 at The Private Museum Singapore.



The Kitakyushu Biennial will open at the newly established ZK/U in Berlin on the 28th of September 2012 entitled "*Candy Factory Projects A New history of contemporary art / Chapter 1 "The nation state as a work of art". 

The exhibition will comprise of multi screen installations made of re-mixes of earlier projects directed by Takuji Kogo in collaboration with Federico Baronello, Mike Bode, Young Hae Chang Heavy Industries, Charles Lim Yi Yong, John Miller, Keiichi Miyagawa and Hisao Sotoda ( Second Planet ) and Sean Snyder.

The exhibition presents the landscapes of a fabricated idea of the nation state where cultural identities have become defunct or conflictual, landscapes located on the back waters of the global economy covering such subjects as tourism on the Korean North-South divide, large scale Sicilian cherry tomato production maintained by Romanian and Tunisian migrant workers, a shopping mall in Singapore filled with foreign maids agencies or the public housing estates built around Toyota city which are today the home of many Japanese descendants from south America.

*CANDY FACTORY PROJECTS also transforms fragments of information and media into original musical projects, text messages sung by synthetic voices taken from scam messages and junk mails or personal ads from online dating sites, propaganda posters, or the transactions for land purchase for the American military bases on Okinawa and re-advertising them as promotional video clips online.
*CANDY FACTORY PROJECTS was originally set up as an exhibition space housed in a former candy factory in Yokohama, Japan in 1998.
It moved to the Yokohama Triennale in 2001, the Akiyoshidai International Art Village in 2002. BOOGIE WOOGIE WONDERLAND in Yamaguchi Japan 2003, SCREAM Färgfabriken Stockholm 2004 Sweden, Art Metropole in Toronto, Canada 2004, "JAPAN" at the Rooseum Centre for Contemporary Art in Malmö, Sweden 2005, "Hyperlinks for dead links" at the Hiroshima City Museum of Contemporary Art in Japan in 2006.

*CANDY FACTORY PROJECTS have also been presented at Media Scope-MoMA/The Museum of Modern Art New York, Seoul Museum of Art, Singapore Art museum, MAAP Multimedia Art Asian Pacific in Beijing, the Centre For Contemporary Photography in Melbourne, Walker Art Centre Minneapolis, Nam June Paik Art Centre Seoul, Tokyo Metropolitan Museum of Photography. Web projects on the C-Theory, New Museum NY, New media Scotland, the Korean Web Art Festival and others.
ARTISTS    

古郷卓司 Takuji Kogo
organizes the *CANDY FACTORY PROJECTS.
Kogo has produced a large body of work both as a solo artist and in collaborations under *CANDY FACTORY PROJECTS and has been presented at Media Scope-MoMA/The Museum of Modern Art NewYork, Künstlerhaus Stuttgart, Rooseum Center for Contemporary Art, Media City Seoul, Singapore Art museum, Arles photo festival, MediaLab Madrid, MAAP Multimedia Art Asian Pacific in Beijing, Walker Art Centre Minneapolis, Yokohama Triennale, Nam June Paik Art Centre, Frankfurter Kunstverein, ARGOS centre for art and media Brussels, CCP Melbourne, Tokyo Metropolitan Museum of Photography.

His ongoing solo project titled "NON_SITES" is a series of photo-sculptures, digital kaleidoscopes made by looped and mirrored sequence shots taken from moments of standardized every day life environments, such as views of fast food restaurants or street views with people of various races, public spaces or shopping malls.
Kogo has applied the same format to his many collaborative projects for *CANDY FACTORY.

Takuji Kogo lives in Fukuoka, Japan.
A selection of web-based projects can be explored at:
http://artonline.jp/candyfactory.html

Federico Baronello
is an artist and a documentary photographer (still and motion pictures).
Essentially concerned with the sociopolitical implications inherent to the aesthetic of vision, his ongoing research focuses on the effects of globalization in the Mediterranean area.

Recent exhibitions include : PPS (People and Landscapes from Sicily) at Riso contemporary art museum, Palermo; Transient Spaces at NGBK, Berlin; A Philosophical Enquiry at the galleria gentili, Prato; Portopalo, solo show at the galleria gianluca collica, Catania. His works are part of public art collections at the Städtische Galerie im Lenbachhaus und Kunstbau, München; Fondazione Brodbeck, Catania; the Ar t Institute Kitakyushhu, Japan.

Federico Baronello has been a member of the Candy Factory Projects since 1999 and produced-
"LIBRINO NEW TOWN PROJECT" a re-mix and Japanese dubbing of a TV documentary about squatters in abandoned public housing project in Scilia designed by the Japanese architect Kenzo Tange.
"HOW TO REACH LAMPEDUSA " a promotional video clip for the holiday resort on the border of Italy next to an african asylum seeker's detention center.
"VITTORIA" is a project about large scale Sicilian cherry tomato production backed by Romanian and Tunisian migrants.

Federico Baronello is based in Catania, Italy

Mike Bode
is a visual artist engaged in collaborative practices together with theorists, curators, film makers and other artists. He works both on large scale research based visual/architectural interventions and with the incorporation of photography and film into research driven projects. In 2008 Mike Bode received a PhD in fine art at Gothenburg University.

He has presented work and exhibited at Kunst Werke in Berlin, The Rooseum in Malmö,The Center of Contemporary Art in Vilnius, Lithuania, The Yokohama Triennial, The Nobel Museum in Stockholm, Secession in Vienna and the Kitakyushu Biennial, Japan.

Mike Bode has been a *CANDY FACTORY PROJECTS collaborator since 2000 and has worked with Takuji Kogo on several projects including "NUNOTANI BUILDING" made for the Yokohama Triennale and the Korean Web Art Festival 2001 concerning the process of transformation and dereliction of post-modern architecture in Tokyo and included in the publication "LOST IN SPACE" from Akiyoshidai International Art Village Japan.

"HOMI / TOYOTA" was made for the 2009 Kitakyushu Biennale and deals with a public housing estate built around Toyota city where many Japanese descendants from south America live.
More recently the project "BLUEBERRY LAND" follows Thai migrants blueberry pickers in Sweden set side by side with scenes from the sex tourism at a beach resort in Thailand, made for the Kitakyushu Biennale 2011.

Mike Bode is based in Stockholm, Sweden.

Young-hae Chang Heavy Industries
YHCHI have produced work in 16 different languages and have presented their text based work at: Tate, London, the Centre Pompidou, Paris, the Whitney Museum, New York, the San Francisco Museum of Modern Art, the Getty Center, Los Angeles, Moderna Museet, Stockholm, the Reina Sofia Museum, Madrid, the Museum of Contemporary Art, Barcelona, the Musée d'Art Moderne de la Ville de Paris, the Venice Biennial, the Fukuoka Asian Art Triennial, the São Paulo Biennial, the Kitakyushu Biennial and at the Istanbul Biennial.

YHCHI have been working with *CANDY FACTORY PROJECTS since 2001.
The first collaboration "HALBEATH" is a promotional video clip online for a shutdown microchip plant at Halbeath Scotland, a failed joint venture between Hyundai and Motorola set together with the traditional Korean song Arirang.

A recent project "STATEMENTS" uses their initial style of text animations for flash movie, but on this project they produced the animation literally following spoken words using found audio online taken from historical or politIcal statements to a pop star's counter statement for a supposed scandal.

The most recent collaborative piece for Candy Factory Projects "DEMILITARIZED ZONE BUS TOUR WITH BULGOGI LUNCH" is based on material taken from an interview by a tourist office official for a bus tour of the North and South Korean border.

YOUNG-HAE CHANG HEAVY INDUSTRIES is yhchang.com.
Its C.E.O., Young-hae Chang (Korea), and its C.I.O., Marc Voge (USA) are based in Seoul.

林育榮 Charles Lim Yi Yong
is a film maker and artist whose works have been presented at MANIFESTA 7 European Biennial of Contemporary Art 2008, Shanghai Biennale, Singapore Biennale 2011, MAAP in Singapore 2004 and Documenta 11.
His short film "All the Lines Flow Out" has been shown at the Venice film festival 2011awarded Special Mentions at the ORIZZONTI section, Tribecca film festival 2012.

He participated in the Kitakyushu Biennial / A Candy Factory Project IMIN 2009 with the project Seastories SEA STATE 2 : as naughty disappears, which concerns an island that disappeared due to the large scale land reclamation in Singapore.

Charles Lim Yi Yong and Takuji Kogo have been developing collaborative research projects about the physical border of the state of SIngapore since 2005.
They produced a collaborative piece "Life Wouldn' t Be The Same Without Safe Seas" which is a musical online video clip about Singapore Navy's missile defense and their subsequent research project about the border of Singapore and Malaysia.
Their new collaborative film  "BEACHES" produced through the Kitakyushu Biennial in Singapore 2012.

Charles Lim Yi Yong is based in Singapore.

John Miller
John Millers work includes painting, sculpture, installation, photography, video, music and writing.
His artwork has been presented at the Museum Ludwig, Cologne; the Kunsthalle Zürich; Magasin-Centre National d'Art Contemporain, Grenoble; P.S. 1, New York; Musée d'art moderne et contemporain, Geneva; Gwangju Biennale, Korea and the ZKM Center for Art and Media, Karlsruhe, Germany. Miller is represented by Metro Pictures, New York; Galerie Barbara Weiss, Berlin; Meyer Riegger Galerie, Karlsruhe; Galerie Praz- Delavallade, Paris; Galerie Christian Nagel, Cologne; Galerie Johann Widauer, Innsbruck and Patrick Painter Gallery, Los Angeles.

Miller was one of Candy Factory's first guest artists in the original gallery space in Yokohama in 1998.
Since then he collaborated with Takuji Kogo on various works under the rubric Candy Factory Projects.

Their virtual band "ROBOT" produces songs whose lyrics derive from personal ads found online or in newspapers. All of Robot's music is synthetic, including the vocals.

John Miller is a Professor of Professional Practice the Art History Department at Barnard College, Columbia University. He has also taught art at the Columbia University School of the Arts, the School of Visual Art in New York, Yale University, the California Institute of the Arts, the Tyler School of Art and Cooper Union.

John Miller is based in New York and Berlin.
http://www.lownoon.com
ROBOT
http://artonline.jp/personals/

Second Planet
宮川敬一 + 外田久雄
 Keiichi Miyagawa + Hisao Sotoda
Second Planet is coordinated by Keiichi Miyagawa and Hisao Sotoda.

Keiichi Miyagawa also has been running Gallery Soap since 1998 and organizes many curatorial projects in Kitakyushu inviting film makers, sociologists and journalists. He also organizes music events and runs the independent music label Soap land Records.

Keiichi Miyagawa and Takuji Kogo organized and curated the following projects :
CAMPAIGN & PRODUCTS at Kitakyushu Municipal Museum of Art 2004,
Hyper-links for dead links #Vol. 01 at Hiroshima City Museum of Contemporary Art 2006
and co-curate the Kitakyushu Biennial since 2007.

His works are presented at Fukuoka city Museum for Arts, Kitakyushu Municipal Museum of Arts, Tokyo, National Museum of Contemporary Art, Korea, Metropolitan Museum of Photography, Hiroshima City Museum of Contemporary Art.

Second Planet are based in kitakyushu, Japan

Gallery Soap http://g-soap.jp/

Sean Snyder
is a conceptual artist working primarily with photography, video and text that question urban space and its representations in media. Snyder uses original and reprocessed archival materials.

His works have been presented at ICA London, Artists space NY, Index, The Swedish Contemporary Art Foundation, Stockholm, Stedelijk Museum, Amsterdam, KW Institute for Contemporary Art, Berlin, Tirana Biennale, Secession, Vienna, Portikus, Frankfurt am Main, Lisson Gallery, London; Galerie Neu, Berlin and Kitakyushu Biennial.

Sean Snyder and Takuji Kogo have been collaborating and researching US Military Bases in Japan and South Korea since 2001 also the DMZ border between south and north Korea producing both solo projects or collaborations.

Snyder participated Candy Factory Projects show Boogie Woogie Wonderland at Yamaguchi Japan 2003 exhibiting a research project on Okinawa.

UNTITLED : TAKUJI KOGO + SEAN SNYDER mimics a real time streaming project for the view of Iwakuni US Military Air Base, Japan broadcasted by Yamaguchi cable Television for 2005 and has been shown at Hiroshima Museum for contemporary art 2006.

They have also screened the North Korean spy film NAMELESS HEROES, AKA UNSUNG HEROES, DPRK TV SERIES for Gwangju Biennial 2006 Korea and remixed the same material published as RE:WATCH RECORD REWIND/NAMELESS HEROES, AKA UNSUNG HEROES, DPRK TV SERIES for the Kitakyushu Biennial 2007.

Sean Snyder is based in Berlin and Kiev

 

 

 

 

Kitakyushu Biennial World Tour 2
Kitakyushu Biennial in Berlin 2012
北九州国際ビエンナーレ in 伯林

at ZK/U Berlin Zentrum für Kunst und Urbanistik
Siemensstrasse 27-49 - 10551 Berlin
Exhibition : 28 September - 14 October 2012 Friday to Sunday 3pm - 9pm
Opening : 28 September 2012

北九州国際ビエンナーレ・ワールド・ツアー in 北九州
Kitakyushu Biennial World Tour in Kitakyushu

at Gallery Soap
Exhibition :15 December 2012 - 12 January 2013
Opening : 15 December 2012

Supported by

財団法人吉野石膏美術振興財団
Yoshino Gypsum Art Foundation


Fukutake Foundation for the Promotion of Regional Culture
Fukutake


Asahi Beer

Art Network Asia
Curators :
Takuji Kogo + Keiichi Miyagawa
(KItakyushu Japan)
In cooperation with
Philip Horst
Marina Sorbello
(Berlin Germany)

Organized by

Art Institute Kitaakyushu
Art Institute Kitakyushu

ZK/U Berlin


© *CANDY FACTORY PROJECTS